I am thinking about audience/spectators/participants/viewers/listeners. The experience of processing interactive performance can never be fully tracked and monitored. There is a deep personal and private aspect to the process of encountering art. I safeguard that actually; I wish to protect it from computation.

In my own research of the felt experience of improvisational dance interaction I have found consistent intensity of sensation located in regions of the chest. Is it possible to use such descriptions as a map, as a guide for regions of the dancers’ bodies to monitor?…

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